A student recently asked me how I consistently produce images with so much color. I have been working as a professional photographer for over twenty-five years and do many things automatically. I had to think about the question for a few minutes before I could explain it properly.
The short answer, of course, is that I look for color everywhere I travel.
For me, color is an integral part of the travel experience. A vendor’s stall of colorful fruit in a Mexican mercado at sunrise or the rainbow hues of Native American regalia at a powwow draw me like a magnet. Throw in an occasional sunset and you have the photographer’s “easy” color.
Most travel photographers look for the right light, rather than just colorful subjects. Color tends to be emphasized in certain situations and we capitalize on that. The first and last hour of the day is definitely the most popular time to shoot for many professionals, from nature and travel shooters to architectural photographers. That warm light streaming through your image sets a mood that is hard to beat.
I was standing there, panting, at the top of a bell tower in Sienna, Italy. I had dragged my gear up what seemed like, at least, a thousand stairs, but I knew the image I was about to make would be worth the effort. The sun was on the verge of setting and delicate pink light was sweeping across the ochre-colored town below me, long shadows giving the buildings volume. I merely had to crop tightly with my 80-200 mm zoom lens to capture the intricate mosaic of a beautifully lit Italian hill town.
This opportunity was not an accident or plain old good luck. I had planned this image before I had even left home. I try to plan my shooting schedule so that, for each location, I have at least one main subject to cover each sunrise and sunset. My research even tells me what direction each main building faces, so I know what time of day will give me the best results.
Creating images during the “Magic Hours” of sunrise and sunset can certainly give a photographer great color, but rather than capturing just another sunrise/sunset, use that warm light to create atmosphere as it washes over a new location or subject. Break the “sunset habit” and turn your back on the sun. You may find the color just as saturated and the subjects considerably more interesting.