Text and Photography by Chuck Place
Today’s photography software is amazing, especially post-production software like Adobe Photoshop and Adobe Lightroom. Capturing an image is now only the first step in producing a finished photograph. How an image is processed can either emphasize what was obvious in the original capture or change it completely.
Ironically, we have traveled a long way to end up with a process similar to long-established black & white darkroom printing techniques. Change the contrast and exposure—no problem. Dodge and burn selective areas of an image—done and done. Now we have even greater control and we can manipulate color at both the global and localized level as well. All this processing power can be daunting and I have found that if I can pre-visualize the final image during capture, post-production goes quite smoothly.
That’s right, I shoot specifically for post-production.
The image above illustrates this process. This fitness studio caters to a certain age range of clients and the windows look out on a parking lot. The model was lit with a large softbox but I allowed the view out the window to over expose. The soft light was flattering to my subject and the blown out windows produced a high key feel to the setting while hiding all the cars.
Using my standard Develop settings in Lightroom, Clarity at 25 and Vibrance at 35, the image turned out as my client and I expected. Wanting to give my client some choices, I also processed this image with an edgier look, setting Clarity to 100 and Vibrance to -55. This look appeals to a younger audience. See the screen shot above.
We could have gone with a basic black & white look as well, or even a high key black & white treatment. Lightroom has a set of black & white presets and you can then alter those settings as your vision dictates.
One of the brilliant aspects of Lightroom is that it is a non-destructive software. For each unique version you create from a single image, Lightroom merely creates a low-res preview file. The original is never altered. Only when you export a file is a whole new derivative file created. Every version of your original image is saved as a text file that records the processing steps, saving tons of disk space. Brilliant!
How do you learn to pre-visualize a certain look that you create in post-production? Well, you have to play with images in Lightroom. Have fun trying out different slider combinations. Find a look that speaks to you and works well with the subjects you like to photograph.
I even have different Lightroom settings depending on whether the original RAW file comes from my Canon cameras or my DJI drone.
Remember, if you haven’t begun to master post-production, you are only working with half the available photography tools out there. If you want to get a better feel for what is possible using Lightroom, look into my Santa Barbara City College Non-Credit Class “Digital Cameras Digital Photos” or Bruce Burkhardt’s SBCC Non-Credit Class “Adobe Lightroom Essentials”. I guarantee you will not be disappointed.