Text & Photos by Chuck Place©
One of my favorite lenses is my Canon 300mm f2.8 telephoto. Sure, it’s big, it’s heavy and it’s really pricy. And although I only occasionally photograph sports or wildlife, the most popular subjects for these big telephotos, the images I create with that lens are always captivating. Let me walk you through the 3 techniques I employ most often when shooting with a telephoto lens. Let’s see if you agree?
Reach, Isolate or Compress—those are the 3 main reasons to own a telephoto lens.
Long lenses, or telephotos, have a narrower field of vision than a normal lens. This narrowing or cropping of our normal field of vision effectively magnifies the objects or main subjects in our image.
This, of course, leads us to the main use of telephoto lenses—reaching out to fill the frame with our main subject. This creates the effect of placing the viewer right in the action, whether it is a young bull rider in a rodeo hanging on for dear life or a sailboat crew hustling to set a spinnaker during a race in San Francisco Bay.
Telephoto lenses come in a range of focal lengths and in both fixed focal lengths, like the 300mm lens, and various zoom configurations. My go-to telephoto lens for events like the Tournament of Roses Parade is a Canon 70-200mm f2.8 zoom lens. It covers short to medium telephoto ranges and gives me the ability to change the degree of magnification so that I can move in tight on an amazing parade float while cropping out distractions like the parade crowds.
It is also possible to increase the focal length of a telephoto by placing a teleconverter between the camera body and lens. Mine converts my 300mm to a 420mm telephoto that can transport a viewer twenty feet up in a tree to view, up close, one of the Monarch butterfly migration roosting sites here in California.
Having that kind of reach for a photographer is invaluable.
Reach is only one aspect of a telephoto, however. The ability of a telephoto to isolate a subject is not only a function of reach but often depth of field as well. It’s no accident that both of my telephoto lenses are f2.8 lenses, capable of creating images with very shallow depth of field. Picking out a single dancer at a Cinco de Mayo celebration has more impact if the surrounding area is softened with very shallow depth of field.
Also keep in mind that the longer the telephoto focal length, the softer the background becomes. For this very reason, telephoto lenses are often used to produce portraits with very soft, buttery backgrounds, creating a wonderful separation between subject and background.
The third creative technique for which I employ a telephoto lens is compression.
Unlike a wide angle lens, which creates a feeling of greater depth in a scene, a telephoto lens has the ability to pull the distant components of a scene closer to the foreground subjects, compressing the distance between near and far objects. I find this technique especially powerful for visually linking two distant subjects into a single storyline.
A 300mm telephoto lens was used to connect the ruins of an ancient pueblo in Wupatki National Monument, see the featured image above, with the distant San Francisco Peaks near Flagstaff, Arizona. The San Francisco Peaks are one of four peaks in this part of the Southwest considered sacred to the Navajo and other Native American groups. Located many miles apart, the long telephoto compressed the scene, producing a dramatic image with a strong storyline connecting the two sites.
Use a telephoto lens to combine the Golden Gate Bridge and the skyline of San Francisco or a snowy Sierra Nevada Mountains Peak and the Alabama Hills framing the foreground. In each case, compressing the distance between near and far subjects creates the dramatic visual storyline that we strive to produce.
Next time you are out shooting with your telephoto lens, keep in mind that your lens can do much more than just reach out to capture a subject. Open your aperture to its widest setting and try separating your subject from the background with shallow depth of field.
And don’t forget the compression effect. Line up two distant but related objects in your frame and stop down the aperture for maximum depth of field. Use your telephoto’s ability to compress a scene and create a unique storyline.
If you are only using your telephoto to reach out to a subject, you are missing out on much of the potential of that lens. Try these techniques to expand the creative possibilities of these long lenses. You may be surprised at what you can create.